"Cabaret serve[s] as a glaring reminder of how dangerously easy it is to accept bigotry when we are emotionally exhausted and politically overwhelmed.
"The 1960s were a time of social upheaval, but also a time of hope. There was a sense that as a society, we were striving toward progress — that the fight for civil rights, for peace, for equality was a fight we could win. Cabaret, with its portrayal of a decadent society willfully ignorant of its own demise, provided a stark counterpoint to that hope. It was a warning against the seductive power of distraction, the dangers of apathy and the perils of looking away when history demands that we look closer.
"Now, in 2024, we find ourselves in a different, far more precarious moment. The recent election of Donald Trump to a second term has left many Americans, particularly those who fought so hard against the forces of authoritarianism and hate, feeling drained and disillusioned.
"There's a sense that we have seen this show before, that we know how it ends, and that we're powerless to stop it. Or worse, a sense that even though we are facing dark times, they won't really affect our own day-to-day lives — echoing the tragically shortsighted assessment of so many European Jews in the 1920s and '30s.
"The democratic election of an authoritarian figure, the normalization of bigotry, the complicity of the frightened masses — none of these are new themes. We have indeed seen this show before, and I fear we do know how it ends. It's understandable to want to retreat, to find solace where we can, but we cannot afford to look away.
"History is giving us another chance to confront the forces that Cabaret warned us about. The question is: Will we listen this time, or will we keep laughing until the music stops?"
—Joel Grey, actor
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